LOUISE PENNY’S

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Postcards

Gamache Goes Abroad: A Fatal Grace

In this installment of “Gamache Goes Abroad”, we find our dear Inspector in Sweden, where our Scandavian publishing colleagues decided to call the book “Nådastöt”, which translates to “Death Blow”. 

One of the first things we noticed is the similarity in color palette between the two covers. Even before reading the plot description, it’s clear that this is a book that takes place in the cold Quebec winter. 

As for differences between the two covers, the US edition focuses on a landscape image (and major plot setting), whereas the Swedish edition depicts a snowy owl, which is said to symbolize sacrifice, family, clarity, and legacy — attributes which surely apply to the Three Pines canon. 

If the two books were side-by-side, which would you be more likely to pick up?

Beyond a frozen lake or a snowy owl, what other images represent winter in Three Pines to you?

Categories
Postcards

Gamache Goes Abroad: Still Life

ALL THE DEVILS ARE HERE finds our dear Inspector in France so there’s no better place to kick off our “Gamache Goes Abroad” cover musings than en français! 

And, wow, the current U.S. cover treatment of Still Life couldn’t be any different from how our French colleagues handled the look of the book. While we opted for a subtle nod to the title — the art genre that dates back to the Egyptians — the French took a more severe route, depicting a key plot point (no spoilers, please!). It’s noteworthy that both covers feature framed imagery which could symbolize a window, or, entryway, into the series. 

What do you think?

Which cover do you gravitate towards?

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