LOUISE PENNY’S

Postcards from Three Pines: Still Life

Postcards from Three Pines: Still Life

Still Life Postcard

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“Here in Quebec. Finally started writing. I think I’ll call it STILL LIFE. What do you think? Struggling a bit with fear but inspired by the fall colours. ”

AN EXCERPT FROM STILL LIFE
  • Three Pines wasn’t on any tourist map, being too far off any main or even secondary road. Like Narnia, it was generally found unexpectedly and with a degree of surprise that such an elderly village should have been hiding in this valley all along. Anyone fortunate enough to find it once usually found their way back. And Thanksgiving, in early October, was the perfect time. The weather was usually crisp and clear, the summer scents of old garden roses and phlox were replaced by musky autumn leaves, woodsmoke and roast turkey.
  • Three huge pine trees faced [Gamache] at the far end of the green. Between him and them was a pond, a bunch of sweater-clad children circling it, hunting for frogs, he supposed. The village green sat, not surprisingly, in the center of the village, a road called The Commons circling it with homes, except behind him, which seemed to be the commercial district. It was a very short commercial. It consisted, as far as Gamache could see, of a depanneur whose Pepsi sign read ‘Beliveau’. Beside that was a boulangerie, the Bistro and a bookstore. Four roads led off The Commons, like the spokes of a wheel, or the directions of a compass.
  • As he sat quietly and let the village happen around him he was impressed by how beautiful it was, these old homes facing the green, with their mature perennial gardens and trees. By how natural everything looked, undesigned. And the pall of grief that settled on this little community was worn with dignity and sadness and a certain familiarity. This village was old, and you don’t get to be old without knowing grief. And loss.

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